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Photo Project: Quality Printing

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There’s nothing like a quality print to hang on the wall, or to give away as a gift.

I like to capture images and have them framed (although I often don’t seem to get around to it very quickly). For many small prints the main name print shops are fine. Kodak, Jessops Photobox are good services and there are loads of others. Apple has a particularly good service built in to its .mac/mobileme service.

These services are fine for most jobs, but remember that even these will benefit greatly from monitor calibration. But for those really great photographs there are professional services that are worth considering because they really will present your work in the best possible light.

Back in the days of film it was possible for amateurs to use prolabs when they needed. Working in digital media makes it even easier. Modern print machines are just as cost effective with one print than with several. Images can be sent in on discs or uploaded using FTP services.

The Difference

These professional services use very fine machinery and printers that really do provide images of great contrast, were highlight and shadow detail is dealt with superbly. Many of these services will give you details of the colour setting that their machines use and these can be fed into your monitor calibration software. Some will even have profile settings available for download to put into Photoshop for use with different machines and different types of paper. If this sounds complicated then it isn’t. Once you’ve mastered calibration this is just a question of following the instructions.

One of the biggest advantages of these services is that they output images to really fine quality papers that are truly long lasting. Back in the days of the chemical darkroom it was important to work out whether your print would look better on a matte or a gloss paper. Then there was supergloss and so on. Well, these papers still exist and the professional services will allow you to choose a paper, finish and texture that you think will really suit your photographs.

Many websites will have images online that give you a feel for the finish and the texture of the papers they offer. Some will even send you samples of paper through the post.

Photographic Paper v Inkjet

Funnily enough, in this digital age, the best prints can still come from photo-sensitive paper. The print machines expose the paper using fine light emitting diodes and the print is then developed using a chemical process. Quality inkjets on quality papers can give stunning results. But the best results will come from photographic paper which produces deeper. almost three dimensional prints, with lots of glorious shadow detail.

These services really are worth exploring if you want to print off a special image. You will have seen some stunning images in photographic galleries. Well, you can access this kind of quality over the net.

While there are a number of companies in this field I will give you links to two (others can be found via. Google).

The Dot Foundry

This is a fine company based in Bridgend in South Wales. I learnt of the Dot Foundry through this blog _ I can’t remember who it was who recommended it, but thanks again!

The Dot Foundry uses the best ink jet printers and outputs onto the best quality papers. Lots of information is given about the paper they use and they are happy to mail you samples if need be.

The Foundry will also mount and frame your prints for you as will most mainstream services. But you should see a real difference here.

The Print Space

The Dot Foundry is a kind of homely service. The Print Space is al altogether different beast. Based in Dalston, East London, the Print Space offers the amateur a state-of-the art service.

Print Space uses very fine quality ink jet printing but also offers the photographic process mentioned above. These are known as C-Types. You’ll pay a little more for the photographic process, but not that much.

A 16 by 12 ink print will cost Β£8.22 and a C-Type Β£8.86.

The price differentials change as the size gets bigger and they differ with the quality of paper used. But then this isn’t something you will use every day.

At the premium end of thins a 16 by 12 print, mounted and framed in aluminium will cost about Β£75. This compares very well to online services such as LuLu and your getting a really quality product that has been lovingly handled.

The Print Space site features lots of tutorials and web videos which certainly make it a lot easier to understand what is going on.

So, there you have it. If you’ve got a great photo that can stand being printed to exhibition standard, why not have a think about it. These services produce absolutely stunning images.

posted by andy on 01.12.09 @ 3:04 pm | 8 Comments

8 Comments so far
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Thanks for putting me onto these two, I’ll give them a try next time I’m looking to get some prints made up. Just thought I’d additionally mention Pyramid Imaging, in Edinburgh. I’ve used them a couple of times for stretched-canvas printing, and have to say I’ve been really impressed with the service and print quality. They can be found at: http://www.pyramidimaging.co.uk/

Sorry to drop a link on my first comment!

By Colin on 01.12.09 3:53 pm

Hi Andy,

Been reading this series with interest. I love my photography but have previously relied on the standard calibration tools shipped with Photoshop (adobe Gamma). It gives reasonable results but as it relies on the eye its less than perfect. My neighbour, a professional photographer of many years raves about the Spyder and I think its time I calibrated my new 23 inch LCD. Printing is often a constant frustration for me, despite knowing a little about colour profiles and image handling. I’m always left needing better.

All in a good resource for the walking photographer!

By The Dude Abides on 01.12.09 4:22 pm

Glad to see that nobody else is doing any work :-)

Colin – thanks for the link. Looks like another decent service (and don’t apologise for the link)

By andy on 01.12.09 4:39 pm

Dude,

You really get far better results with a Spyder (or indeed a Huey).

I would say that this is essential for a 23 or 24 inch screen. After all you can now view the image in far more details and at a naturally big scale.

Let me know how you get on.

By andy on 01.12.09 4:41 pm

Andy, Have you seen any of the Apple printed products? If so was the quality as expected? (I’ve not heard any bad reports about it)

We’ve just converted from PC to an iMac and the iPhoto/Aperture photo books look particularly good, for example for a bit of time doing the layout and Β£20 you end up with a hardback holiday photo album with dustcover, once I get used to my D60 then hopefully I’ll be able to produce my own coffee table books!!

By Shuttleworth on 01.12.09 5:48 pm

Hi Andy. Ever since my neighbour put me onto the spyder I’ve wanted one. Well, I’ve bloody gone and bought one tonight haven’t I! I figured if nothing else it will mark a targeted effort to get my set-up, work flow and printing all sorted.

By The Dude Abides on 01.12.09 8:44 pm

There you go Dude. You’ve improved your colour management and helped support the ailing retail sector at the same time!

By andy on 01.13.09 8:59 am

Apple’s photo system is pretty good and very easy to use with Mobile me. The standard calibration of 6500 and 2.2. gamma seems to work well. I use this for small prints and have not been disappointed.

The Photo books are wonderful and make great presents. I’m off to Ireland this weekend for the birthday of a 101 year old. I shall probably knock up a photo album when I’m back. The people you give these to love them. The picture quality is not really print quality though. For coffee table books it would be worth having a good look around on the net. But try producing a few paperbacks to see,

By andy on 01.13.09 9:16 am

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